tags: Wang Lu

Curiouser and Curiouser

Tuesday, April 14th, 2015

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MATA welcomes Sweden’s Curious Chamber Players for a night that moves from the primeval depths skyward. Bolivian composer Carlos Guittiérez Quiroga’s Jintilli posits the beginnings of the world with natural sounds born of natural materials. Tomi Räisänen’s Stheno imagines the Gorgon’s mourning, what Pindar says was the basis for all music. Wang Lu and Malin Bång’s music deals with the detritus of the urban – Berlin’s constant remaking in the case of Bång’s palinode and the daily life of Xi’an, Wang’s hometown, in her MATA-commissioned work Urban Inventory. Johann Svensson’s diamond dust gives life to the tiny ice crystals that together form the clouds. The evening ends with a new work from MATA’s own Todd Tarantino.

Tomi Räisänen (Finland): Stheno (2006), AP
Todd Tarantino (USA): … all words are already decided (2011/2015), WP
Carlos Gutiérrez Quiroga (Bolivia): Jintili (2012), AP
Wang Lu (China/US): Urban Inventory (2015), WP – Festival Commission
Johan Svensson (Sweden): diamond dust (2013), AP
Malin Bång (Sweden): palinode (2013), AP

Tickets Available Here

Wang Lu

Friday, February 27th, 2015

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Composer and pianist Wang Lu was born in Xi’an, the ancient capital of China. Being brought up in a musical family with strong Chinese opera and folk music traditions, her works reflect a very natural identification with those influences, through the prism of contemporary instrumental techniques and new sonic possibilities.

Wang Lu’s works for a variety of Western and Chinese ensembles and orchestras have been performed internationally, by ensembles including the Minnesota Orchestra, American Composers Orchestra, Ensemble Intercontemporain, Ensemble Modern, Orchestre National de Lille, Holland Symfonia, Shanghai National Chinese Orchestra, Taipei Chinese Orchestra, Albany Symphony, Musiques Nouvelles (Belgium), Le Nouvel Ensemble Moderne (Montreal), Phoenix Ensemble (Basel), Beijing New Music Ensemble, the International Contemporary Ensemble, Argento, Momenta Quartet, Columbia University Jazz Band, the Janus Trio, So Percussion, Ensemble Pamplemouse and counter(induction, among others.

She has participated in festivals such as the Cresc Biennale in Frankfurt for new music (2013), Gaudeamus Music Week (2010 finalist), Tanglewood Music Center (2009), Cabrillo Music Festival (2010), Pacific Music Festival (2008), Takefu International Music Festival (2010), Centre Acanthes (2007), Bowling Green New Music Festival (2007), and the Beijing Modern (2004).

She is a 2014 Guggenheim Fellow. She won the first prize at Le Nouvel Ensemble Moderne’s Young Composers Forum in 2010 and shared the Tactus International Young Composers Orchestra Forum Award in 2008. She was selected for a Tremplin commission by IRCAM/Ensemble Intercontemporain in 2010, the International Composition Seminar with the Ensemble Modern in 2012, and has also received two ASCAP Morton Gould awards. Her recent orchestra work “Scenes from the Bosco Sacro” was selected for the 2014 New York Philharmonic Biennial New Music Readings.

She received her doctoral degree in composition at Columbia University in 2012, after graduating with highest honors from the Beijing Central Conservatory of Music in 2005. Her composition teachers have included Fred Lerdahl, Tristan Murail, George Lewis, and Chou-Wen Chung.