tags: mikel urquiza

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Thursday, April 27th, 2017

Three-dimensional works for one or two players. Thursday’s MATA Festival concert opens with Oleg Elagin’s space age electronic fanfare, The Formation of New Sensual Experience, setting the tone for an evening of evolution and innovation. Samuel Cedillo’s Monólogo III refashions the viola in an incredible tour de force of expression. The consummate Daniel Lippel brings elegance to the shifting guitar figures of Karin Wetzel’s Amorphose II and Basque composer Mikel Urquiza’s dialogues with Dowland, Belarretan. The evening reaches for the heavens with Nikolet Burzyńska’s Cold burning out, played by TIGUE’s Matt Evans, and Liisa Hirsch’s ethereal Cloud Tones for piano “glides” and viola. 

Dan Lippel, guitar; Matt Evans, percussion, Philip White, live electronics;

Thursday, April 27
8PM at the Kitchen, 512 W 19th St, NYC
$25

Tickets available here

Oleg Elagin (Russia): Formation of New Sensual Experience (2016), WP
Liisa Hirsch (Estonia): Cloud Tones (2015), AP
Samuel Cedillo (Mexico): Monólogo III (2009)
Karin Wetzel (Switzerland/Germany): Amorphose II (2012), AP
Mikel Urquiza (Spain/France): Belarretan (2014) AP
Nikolet Burzynska (Poland): Cold Burning Out (2011) AP

Mikel Urquiza

Friday, March 3rd, 2017

 

Mikel Urquiza (1988, Bilbao) studies composition first at Musikene (San Sebastian) with Gabriel Erkoreka and Ramon Lazkano, later at Paris CNSM with Gérard Pesson. He has received the Spanish Institute for Scene Arts and Music commision and the French Academy in Rome award, living at Villa Medici.

He works closely with L’Instant Donné ensemble, exploring the fragility of memory in Les lueurs se sont multipliées and the delicate violence of love gestures in Serpientes y escaleras (serenata), premiered at the Wittener Tage für neue Kammermusik. He stablishes also a rich collaboration with Diotima Quartet, that premiers both of his string quartets and, along with Sarah Maria Sun, his quintet White nights. 

Thanks to a commission of the BOZAR Brussels and ECHO, he writes Contrapluma for pianist Mariam Batshasvili, who plays it during the season 2016/2017 at the ECHO halls, such as Amsterdam Concertgebouw, Vienna Musikverein and Philharmonie de Paris.

His music is also played by Ensemble Intercontemporain, Mosaik Ensemble, Basque National Orchestra, Spanish Youth Orchestra, etc. at the San Sebastian Fortnight, Paris National Opera season, Gaudeamus Muziekweek and Lucerne Festival.