tags: Eric Wubbels

SCENATET: Wow and Flutter

Tuesday, April 25th, 2017

 

Denmark’s buzzy SCENATET makes its official New York debut with a potent program that belies the cozy Danish stereotype of ‘Hygge.’ Along with the twitchy improvised grooves of Yu Oda and the strobe-funk theatrics of Kaj Duncan David’s Computer Music, highlights include the first of this year’s MATA commissions, a world premiere by Eric Wubbels. Also on tap: the hermetic canons of Daniel Tacke’s musica ricercata | musica poetica, Turkish composer Murat Çolak’s Orchid, an octet by rising Danish star Christian Winther Christensen, and German composer Martin Grütter’s Messer Engle Atem Kling (Cleaver Angel Breathing ‘Ding’).

with support from the Danish Composers´ Society´s Production Pool/KODA´s Cultural Funds.

SCENATET

Tuesday, April 25
8PM at the Kitchen, 512 W 19th St, NYC
$25

Tickets available here

Eric Wubbels (USA): New Work (2017), MATA Festival Commission
YU Oda (Japan/The Netherlands): Everybody is Brainwashed (2014), AP
Daniel Tacke (USA): musica ricercata | musica poetica  (2013), NYP
Martin Grütter (Germany): Messer Engel Atem Kling (2011), AP
Christian Winther Christensen (Denmark): Chorale (2017), WP
Kaj Duncan David (Denmark): Computer Music (2014/16), AP
Murat Çolak (Turkey/USA): Orchid (2017), WP

Eric Wubbels

Friday, March 3rd, 2017

 

Eric Wubbels is a composer, pianist, and Co-Director of the Wet Ink Ensemble (NYC). His music has been performed throughout Europe, Asia, Australia, and the U.S., and featured on festivals including the Huddersfield Contemporary Music Festival, Zurich Tage für Neue Musik, and Chicago Symphony MusicNOW. Recipient of a 2016 Charles Ives Fellowship from the American Academy of Arts and Letters, and commissioning grants from ISSUE Project Room, Chamber Music America, Barlow Endowment, among others. Residencies at the MacDowell Colony,  Civitella Ranieri Center, and Djerassi Resident Artists Program.

As a performer, he has given U.S. and world premieres of works by major figures such as Peter Ablinger, Richard Barrett, Beat Furrer, George Lewis, and Mathias Spahlinger, as well as vital young artists such as Rick Burkhardt, Francesco Filidei, Erin Gee, Bryn Harrison, Clara Iannotta, Alex Mincek, Sam Pluta, Katharina Rosenberger, and Kate Soper.

He has recorded for Carrier Records, hatART, Spektral (Vienna), New World, Albany Records, and Quiet Design and has held teaching positions at Amherst College and Oberlin Conservatory.

Wet Ink Ensemble

Tuesday, February 26th, 2013

The Wet Ink Ensemble is a New York-based new music collective. Its repertoire is diverse, ranging from scores of rigorous notational complexity to indeterminate and improvisational music; from the American experimental tradition to the contemporary European avant-garde; from acoustic to amplified to electronic works to works for homemade instruments. The Wet Ink Ensemble has performed works by composers such as Ablinger, Feldman, Ferneyhough, Furrer, Hurel, Bernhard Lang, Lucier, Murail, Nono, Reich, Rzewski, Sciarrino, Tenney, and Wolff, and premiered works by emerging artists like James Fei, Hikari Kiyama, Alex Mincek, Randy Nordschow, Marianthi Papalexandri-Alexandri, James Saunders, Oliver Schneller, Kate Soper, Charlie Wilmoth and Eric Wubbels.

April 20: SIGNS AND SIGNALS

Friday, April 20th, 2012

STEPHANIE BERGER, © 2012. COPYRIGHT BELONGS TO STEPHANIE BERGER. ALL RIGHTS RESERVED.

We finish off the Festival with a tour-de-force of new works for large and small ensembles featuring SIGNAL, called “one of the most vital groups of its kind” by the New York Times, and led by the phenomenally astonishing conductor Brad Lubman. MATA presents the final commission of 2012: a large-scale work by Francesco Filidei, a Paris-based Italian composer who is taking Europe by storm. Also featured: the vicious, heart-stopping Viola Quartet by Eric Wubbels, David Coll’s Position,Influence for soprano and electronics based on the speeches of Charles de Gaulle, Alex Freeman’s gorgeous work for solo Kantele (the Finnish folk instrument, played by Eva Alkula, who swoops in from Finland especially for this performance);and the Spanish-based Mexican composer Ivan Orozco’s glittering, salsa-influenced work for player piano and live pianist (the inimitable Kathleen Supové).

This evening will be hosted by Q2 Music’s Nadia Sirota 

Program

Jacob Cooper, Tryptich III: Alla stagion dei fior (2012), video

Eric Wubbels, Viola Quartet (2007)

Francesco Filidei, Ballata n.2, MATA Commission (2012) World Premiere SIGNAL Ensemble

David Coll, Position, Influence (2010), for soprano and electronics. Mellissa Hughes, voice.

Alex Freeman, Magnolia (2002), for kantele. Eva Alkula, kantele.

Ivan Ferrer-Orozco, Traces IV: Anamnesis (2009), for piano and tape. Kathleen Supove, piano.

Eric Wubbels

Friday, January 13th, 2012

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Eric Wubbels is a New York-based composer and pianist, and Executive
Director of the Wet Ink Ensemble. Wubbels’s music has been presented
at concerts and festivals in Europe, Asia and the U.S., by groups such
as the Kammerensemble Neue Musik–Berlin, I.C.E., Talea Ensemble, Left
Coast Chamber Ensemble (San Francisco), mmm… (Tokyo), and The Knights.

As a performer, he has appeared at venues ranging from Carnegie Hall’s
Weill Hall and the MoMA (NYC) to Monday Evening Concerts (L.A.), the
Contempuls Festival (Prague), the Kitchen, Roulette, and the Stone. He
has recorded for hathut, Spektral, Albany Records, Carrier Records,
and Quiet Design.

From 2009-2011 he taught as a Visiting Professor at Amherst College,
in Massachusetts. He is a 2011 MacDowell Colony Fellow.