tags: Amanda Schoofs

Bearthoven Buckshot

Friday, April 17th, 2015

Night4-Bearthoven

The eccentrically-named trio of piano, percussion, and bass known as Bearthoven takes the stage with a widely-varied program of new music that challenges the notion that the instrumentation makes the music. The evening begins with the flourescences and electronics of Jonathan Nangle’s lambent untitled (after Dan Flavin) and continues with the improvisational talents of Amanda Schoof as she joins Bearthoven for her graphic score, Intimate Addictions. David Alan Broome’s atomistic Ominousty scatters glitches from Billy Joel’s “Honesty” into millions of pieces, while Fjóla Evans’s Shoaling rumbles in murmuring and growing streams. MATA’s own Du Yun performs a new work with bass, and the evening concludes with the UK’s Adam de la Cour’s MATA-commissioned Corporate Talent Factor’s Next Top Idol! a talent competition, the likes of which has never been seen on these shores.

Amanda Schoofs (USA): Intimate Addictions (2014), NYP
Fjóla Evans (Canada/ Iceland): Shoaling (2014)
David Alan Broome (USA): Ominousty (2014)
Jonathan Nangle (UK): untitled (after Dan Flavin) (2013), AP
Du Yun (China/USA): The Man Who Swallowed A Snake (2015), WP
Adam de la Cour (UK): Corporate Talent Factor’s Next Top Idol! (2015), WP – Festival Commission

Tickets Available Here

Amanda Schoofs

Friday, February 27th, 2015

AmandaSchoofs_Composer-Vocalist_Headshot

Composer/Vocalist Amanda Schoofs creates visceral works that emphasize timbre, presence, and ritual while exposing the raw, brilliant, and intimate qualities of the human spirit. Trained in contemporary composition and theory, her creative practice extends from the experimental tradition and exists in the space between diverse artistic practices. At the nexus of composition, improvisation, painting, printmaking, poetry, performance art, and authentic movement, Amanda creates provocative works that are uniquely interdisciplinary. Audiences and critics throughout the United States, Germany and Canada have described her work as “entirely original, breathtaking in its delivery”, “ethereal”, and “a transporting, enigmatic reverie”.

Amanda is on the composition faculty at University of Wisconsin-Milwaukee’s Peck School of the Arts, where she directs Contemporary Music Ensemble and teaches Experimental Improvisation. She curates the series Sensoria: Experiments in Time-Based Media and Performance for INOVA – Institute of Visual Arts, and teaches composition with the Milwaukee Youth Symphony Orchestra, in collaboration with Present Music. Amanda holds a MA in Music Composition from Mills College, where she won the Elizabeth Crothers Mills Award, and studied composition and improvisation with Joëlle Léandre, Pauline Oliveros, Zeena Parkins, Roscoe Mitchell, and Fred Frith. An invested academic, she was recently a Transdisciplinary Fellow at Center for 21st Century Studies, researching the cross-disciplinary intersections of language.