category: MATA Interval Blog

INTERVAL 5.2 Thruline Blog part 3/3

Tuesday, December 20th, 2011

Part 3: So What?
The last question to address before this whole idea comes to life is: what do I hope will be the public’s reactions?

I love that this is a simple idea being implemented in a simple way.  Fortunately, my goals for this piece are just as simple as the idea: I want people to smile.  Easy.  Lots of people much smarter than I could come up with fancy metaphors or aesthetic objectives for a performance piece like this, but I just want people to smile.

I want people to slowly realize, after stepping onto the train and making several stops, that something out of the ordinary is happening and that it is a kind of gift from us to them.  I want people to look around at others on the train and wonder if they notice what’s going on as well – are they in on it?  Are they paying attention?  I want them to smile when the doors to the train open at every stop and they get to hear bits and pieces of one of the most beautiful compositions ever written.  I want people to get to their destinations and tell the people they are meeting that they just experienced something unique and special.  I want to give the people who ride the F-Train tomorrow night an adventure, a pretty low risk adventure, but one where they will be left wondering what’s around the next corner.

There are lots of people to thank for making this idea come to life.  The Knights, Make Music New York, MATA, David T. Little, Phil Kline, and Rose Bellini.  Thank you so much for helping me realize this project, I could not have done it without you.

CURATORIAL STATEMENT

Time: 7:00-8:00pm
Date: Wednesday, December 21, 2011
Place: Every Coney Island bound F-Train platform

INTERVAL 5.2 Thruline blog post 2

Wednesday, December 14th, 2011

Part 2: The Idea of Simplicity
I always try to find ways to simplify things in my life.  My ideas never seem to work out the way I think they will, but I’m always looking for simple solutions.  One of the challenges to making this simple idea come to life is sorting through all of the logistical complications and decisions.

Complication #1: Which subway line should I chose?  There are 22 lines in the New York City subway system, but only a handful that reach more than two boroughs.  It would be really cool for this project to reach out into Queens and Brooklyn as well as Manhattan.  Considering these options, I was reminded of a choral piece that Michael Gordon had written with an accompanying video by Bill Morrison called Every Stop on the F Train.  That was it: the F-line would be perfect for this project and would simultaneously be a nice tip-of-the-hat to Michael Gordon.

Complication #2: It turns out that about a dozen of the stops on the F-line are above ground, and this project is supposed to take place in December on the longest night of the year.  Assuming I could actually find enough cellists to cover every single F-line platform, I couldn’t ask them to play outside on what could be a sub-zero evening.  Why not invite other musicians to perform the Bach as well – maybe a trombonist would be willing to play outside in December?  Maybe there could be an arrangement for toy piano, or even a melodica?  Luckily, the fantastic and adventurous musicians of The Knights agreed to supply musicians at every stop, and I agreed to make sure that everyone had a proper arrangement of the music.

Complication #3: How important is it that the unassuming public who happen to ride the F-line on the evening of December 21 actually know what’s going on?  There’s no way to notify everyone, and I decided not to even try.  One of the things that I love about this project is that it turns the public into accidental participants.  The only question that remains is, what will their reactions be?

Curatorial Statement

Time: 7:00-8:00pm
Date: Wednesday, December 21, 2011
Place: Every Coney Island bound F-Train platform

—–

James Holt is a composer who writes primarily for mixed chamber ensembles.
He is originally from Seattle but now lives and works in New York City.

INTERVAL 5.2 Thruline Blog post 1

Monday, December 5th, 2011

Part 1: The Origin of the Idea