MATA presents its 10th annual festival of new music by young composers!

MARCH 31 - APRIL 4, 2008
Brooklyn Lyceum
map

Featuring the critically-acclaimed Boston Modern Orchestra Project conducted by Gil Rose, the return of Brooklyn-based chamber orchestra The Knights, the MATA festival debut of the adventurous New York-based ensembles Newspeak and Either/Or, a lecture by critic and philosopher Christoph Cox, and a sound installation co-presented with Diapason Gallery. Additionally, MATA is very excited to present the third installment of its new bi-monthly series Interval during Festival week, curated by Mario Diaz de Leon.

The 2008 Festival continues MATA's commissioning program with new works by Alejandro Rutty (BMOP), Zibuokle Martinayite (The Knights), Sean Griffin (Newspeak and Either/Or), and Micah Silver (sound installation).

PROGRAM


Our 2008 Festival brings you exciting new music by young composers from around the globe including world premieres by Argentinian composer Alejandro Rutty, Lithuanian-born Zibuokle Martinaityte, L.A.-based Sean Griffin, and sound artist Micah Silver. Opening night features the kick-off of the Sound Installation and the third installment of MATA"s new sesires Interval, curated by Mario Diaz de Leon. On Tuesday, April 1, The critically-acclaimed Boston Modern Orchestra Project (BMOP) will present the New York premiere of Lisa Bielawa's Double Violin Concerto, as well as a new work for orchestra and throat-singer by Ken Ueno. The exhilarating young chamber orchestra The Knights return to MATA with a concert of World and New York premieres (April 2), and local ensembles Newspeak and Either/Or make their festival debut with full sets of music, then members of each come together to premiere Sean Griffin's newly commissioned work (April 4). On April 3, critic and philosopher Christoph Cox presents a lecture discussing his groundbreaking book Audio Culture. The 2008 Festival marks MATA's first collaboration with Diapason Gallery, the leading presenter of sound art in the US. Throughout the festival, a 12-channel speaker system will be installed in the Caf Room at the Lyceum. 18 different works will be heard, including the premiere of a commissioned work by Micah Silver, along with those from the amazing Diapason Archive.

All performances will take place at the Brooklyn Lyceum (4th Ave & President St, Brooklyn - gmap), a converted bathhouse at the heart of the burgeoning arts scene in the Park Slope/Gowanus neighborhoods.

This year's MATA Festival features a special collaboration with artists Eve Biddle and Bowie Zunino. Eve and Bowie have created chalk drawings specifically for the performance space in the Brooklyn Lyceum, depicting original windows of the building that were removed in 1937. Special thanks to Eve and Bowie for creating these unique works of art for the MATA Festival!

Eve and Bowie create collaborative work focusing on points of personal contact and drawing on history, social context, and compulsion. Please visit their websites for samples of their work and contact information.



FESTIVAL PROGRAM
(subject to change)

Tickets to all concerts are $15, students and seniors $10 at the door
Admission is FREE to the Christoph Cox lecture and to the Sound Installation at all times

Monday March 31 - Friday April 4, 2008
Café Room
Sound Installation - full program below
This installation, a co-production with Diapason Gallery, will run the length of the festival. The program varies each day and features a newly commissioned work by Micah Silver, as well as various pieces from the Diapason Archive.

Monday, March 31, 2008
Café Room 6:00 - 8:00 pm, 9:15 - 10:30 pm
Sound Installation - Opening Event
Featuring premiere of MATA commission by Micah Silver, also works by Olivia Block, and MATA AD Chris McIntyre
program info

Main Space 8:00 - 9:00 pm
MATA Interval 1.3
A night of music by composer/performers focused on live-electronics
curated by Mario Diaz de Leon

Zeljko McMullen Selections from Red and Blue
solo electronics
Doron Sadja The Guided Guild
solo electronics
Mario Diaz de Leon Moonblood
string quartet and 4 channel sound [iO Quartet]
Improvisation by Symbol
McMullen, Sadja, Diaz de Leon, Johnny Mischeff

visit the Interval blog for additonal info

Tuesday, April 1, 2008
Café Room, 12:30 - 2:00, 6:30 - 8:00
Sound Installation
program info

Main Space, 8:00 pm
Boston Modern Orchestra Project
Gil Rose, conductor

Alejandro Rutty The Conscious Sleepwalker Loops - NY PREMIERE
MATA commission

Ken Ueno On a Sufficient Condition for the Existence
of Most Specific Hypothesis -
NY PREMIERE
Ken Ueno, throat singer

Derek Hurst Clades - NY PREMIERE
Concerto for the Firebird Ensemble
Lisa Bielawa Double Violin Concerto - NY PREMIERE
Colin Jacobsen and Carla Kihlstedt, violin


Wednesday, April 2, 2008
Café Room, 12:30 - 2:00 pm, 6:30 - 8:00 pm
Sound Installation
program info

Main Space, 8:00 pm
The Knights Chamber Orchestra
Eric Jacobsen, conductor

This concert is dedicated to the memory of Jennifer Fitzgerald (1975-2007)

Aaron Gervais Culture No. 3
Nico Muhly I Know Where Everything Is - NY PREMIERE
Jennifer Fitzgerald A Thousand Machines - NY PREMIERE
Judd Greenstein At the end of a really great day - NY PREMIERE
Zibuokle Martinaityte - Polarities - WORLD PREMIERE
MATA commission


Thursday, April 3, 2008
Café Room, 2:00 - 7:00 pm

Sound Installation
program info

Main Space, 7:00 pm

Lecture by critic and philosopher Christoph Cox

Christoph Cox's talk focuses on some of the philosophical themes raised by his anthology Audio Culture: Readings in Modern Music. In particular, he will discuss two key shifts in contemporary music and sound art: a shift in conceptions of time from what John Cage called 'time-objects' to what he called 'processes', and the dissolution of 'music' into the broader field of 'noise.'

Post-lecture discussion between Cox and MATA commissionee Micah Silver.

Friday, April 4, 2008
Café Room, 12:30 - 2:00 pm, 6:30 - 8:00 pm
Sound Installation
program info

Main Space, 8:00 pm
Either/Or & Newspeak

Either/Or
Richard Carrick Towards Qualia
Andrew Byrne White Bone Country


Newspeak
Missy Mazzoli In Spite of All This
David T. Little sweet, light, crude
Oscar Bettison Breaking and Entering (with aggravated assault)

Members of Either/Or & Newspeak
Sean Griffin - Buffalo '70 WORLD PREMIERE
MATA commission



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MATA Festival & Diapason Gallery present:
2008 MATA Festival Sound InstallatioN:
Diapason Archive and beyond

Monday March 31 - Friday April 4, 2008
Café Room at Brooklyn Lyceum

A collaborative presentation between Diapason Gallery and MATA, featuring works from the Diapason Archive curated by Michael Schumacher. Includes a newly commissioned piece by Micah Silver, and works by Marina Rosenfeld, Stephen Vitiello, Leif Inge, and many others.

Monday, March 31
OPENING
6 - 7:55pm
Micah Silver You and Me, Going
WORLD PREMIRE

MATA commission

Chris McIntyre silOM
Olivia Block Angry When You Sleep

7:30pm Micah introduces his piece

9:15 - 10:30pm (after Interval 1.3 performance)
Micah Silver You and Me, Going MATA commission
Chris McIntyre silOM
Olivia Block Angry When You Sleep

Tuesday, April 1
12:30 - 1:45pm
Doug Henderson The Nature of the 102nd Thing (of 10,000)
Zeena Parkins/Doug Henderson Polyphonic Projections

6:30 - 7:45pm
Leif Inge 9 Beet Stretch

Wednesday, April 2
12:30 - 1:45pm
Micah Silver You and Me, Going MATA commission
Chris McIntyre silOM
Olivia Block Angry When You Sleep

6:30 - 7:45pm
Marina Rosenfeld anti-Warhol movement (in 16 cues)
Stephen Vitiello Dolly Ascending
Miguel Frasconi Intensive Care

Thursday, April 3
2 - 7pm (1-hour each)
Al Margolis What Makes a Sound? (argument)
Stefan Moore In::Out/Out::In
Michael Schumacher Room Pieces New York 2007
Amnon Wolman Low Ground Clearance
Carl Stone Kantipur

Friday, April 4
12:30 - 1:45pm
Jason Kahn Winter
Alan Licht City Geese, Country Geese
Eric Nauman Separating the Stones

6:30 - 7:45pm
Micah Silver You and Me, Going MATA commission
Chris McIntyre silOM
Olivia Block Angry When You Sleep

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Made possible with public funds from the New York State Council on the Arts, a state agency.

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs.

Leadership support for Meet The Composer's Metlife Creative Connections program is generously provided by Metlife Foundation. Additional support is provided by the Amphion Foundation, Argosy Foundation Contemporary Music Fund, BMI Foundation, Inc., Mary Flagler Cary Charitable Trust, Aaron Copland Fund for Music, Inc., the William & Flora Hewlett Foundation, the James Irvine Foundation, Jerome Foundation, mediaThe Foundation, National Endowment for the Arts, New York City Department of Cultural Affairs, New York State Council on the Arts, Pennsylvania Council on the Arts and Virgil Thomson Foundation, Ltd.

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